Big Sounds for Small Speakers — Tracking for TV with Rich Tozzoli
What is the creation process like for you in your studio? What are the pieces of software/hardware equipment that you find particularly inspiring when recording? The creation process just happens –...
View ArticleEvent Choice: Maximizing KONTACT for Composers, NYC, 3/27
Ready to make deeper contact with the KONTAKT soft synth – and two in-demand composers while you’re at it? Then join the Society of Composers & Lyricists (SCL) this Wednesday, March 27, from 7-9...
View Article“Sound Business”: Meet Pralaya Productions — Composing and Sound Design,...
There are a million things you can do. This is just a rough sketch of my thinking for one particular track. You shouldn’t be afraid to experiment. Just make sure it’s all very cohesive and natural....
View ArticleSample Logic Releases Thunder Springs – Hybrid Percussion Virtual Instrument
Sample Logic is a company who’s aims to develop “cutting-edge virtual instruments that ‘blur the line between music and sound design.'” They have clearly met their own expectations with the release of...
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Film Scoring and the Studio: Three Secrets to Outstanding Strings
“You’ll see that for the highest (G4) and lowest (G3) samples, I have dragged them two additional octaves. This transposes the samples drastically, and often times creates distinct and intriguing —...
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